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The Dennis Loomis Cups and Balls Routine by Dennis Loomis

Original price was: 15.00 €.Current price is: 1.99 €.

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Product Highlights

  • New Material Not Previously Covered
  • All New Photographs
  • A Streamlined Outline for Practice

This guide features 32 stunning photographs and 9 detailed diagrams, capturing every aspect of a classic routine that utilizes traditional props and effects with remarkable precision and minimal movement. Perfect for table hoppers, this routine resets seamlessly during performances!

The Three Ball Assembly phase offers the cleanest execution ever created for the Cups and Balls. Spectators witness three balls placed under three cups, only to find all three balls magically appearing under the center cup moments later. This illusion captivates audiences and has successfully deceived many seasoned magicians.

The Smash Color Change is a visually impressive effect that serves as an ideal misdirection for one of the final loads. This routine is designed for seated performance, utilizing a set of saddle bags inspired by Don Alan. Instructions for creating your own Dennis Loomis saddle bags are included, complete with three photographs.

Format: Paperback, 20 pages printed on high-quality stock, featuring a full-color cover.

What People Are Saying:

“Denny, you have the best cups routine in magic. You’ve eliminated the awkward false placements, the wand, and the sliding balls under cups. You are light years ahead of everyone else. My top four cups routines are yours, Johnny Paul, Tommy Wonder, and Fred Kaps, but yours stands out with better angles and the innovative concept of covering the balls with the cups. Your routine should replace Vernon’s as the standard!” – Bill Nagler M.D., March 2005

“The Dennis Loomis Cups and Balls Routine is an excellent resource for mastering the Cups and Balls. Its simplicity, clarity, and effective teaching make it highly recommended.” – Doug Atkinson, Magic Talk Web Site

“I first witnessed this routine about 30 years ago, and I have yet to see a better one.” – Hank Moorehouse, April 2005

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