Discover the Art of Packet Tricks in Card Magic

Many enthusiasts believe that packet tricks, which utilize a limited number of cards instead of a full deck, are a modern addition to the world of magic. However, this is a misconception. While packet tricks surged in popularity during the 1960s and 70s—thanks in part to Jon Racherbaumer coining the term “packeteer” for those who excel in this art—these effects have roots tracing back to the late 1800s. Despite some negative perceptions, well-crafted packet tricks can often deliver more astonishing results than those performed with an entire deck. Embrace the potential of packet magic! With just a handful of cards and insights from the experts featured in this download, you’ll soon master the art of being a “packeteer.”

In Volume 3, you’ll witness a variety of magicians showcasing and explaining captivating small-packet card magic that any close-up performer would be eager to incorporate into their act. Bill Malone kicks things off with a powerful rendition of Paul Harris’ “Reset,” where Aces and Kings dramatically change places. Paul Wilson follows with an engaging in-the-hands version of Nick Trost’s classic, where a spectator’s chosen card is revealed as the only one with a distinct back color. Pavel entertains with a card-eating turtle that visibly consumes four freely-selected cards, while John Guastaferro presents a delightful routine featuring four cards depicting frogs that transform into princes before reverting back to frogs. Michael Ammar weaves a narrative with just a few cards from a standard deck in “Brother John Hamman’s Twins,” and Dan Fleshman offers a quick yet impactful performance where four Aces morph into Aces of Spades and then instantly change into Kings. James Swain showcases a modern classic where four face-up Queens each display different back designs, culminating in a stunning finale where all Queens reveal unique backs. Michael Ammar wraps up the volume with Dai Vernon’s timeless effect, where the four Aces magically turn over one by one.