This three-book series delves into the realm of stage magic during its “Golden Age,” spanning from 1860 to 1910. It offers in-depth analyses of four iconic illusions that exemplify the diverse techniques of stage magic from this period. The featured illusions include “Pepper’s Ghost,” the quintessential mirror trick; “The Vanishing Lady,” which captures the essence of teleportation amid rapid advancements in transportation; “The Levitation,” showcasing the illusion of weightlessness through intricate steel apparatus; and “The Second Sigh,” a mind-reading act that incorporates contemporary communication technologies. Additionally, the series examines visual media, extending the discussion both backward to 1800 and forward to 2000. This comprehensive exploration is essential for students and scholars in theatre and performance studies, providing valuable insights into the cultural and historical significance of these magical performances.